| SENSOR TYPE | RED DRAGON 13.8 MP Super 35mm CMOS |
| EFFECTIVE PIXELS | 5120 × 2700 |
| SENSOR SIZE | 25.6 mm x 13.5 mm (Diagonal: 28.9 mm) |
| DYNAMIC RANGE | 16.5+ stops |
| MAX DATA RATES | Up to 170 MB/s using RED MINI–MAG |
| MAX FRAME RATES1 | 50 fps at 5K Full Format (5120 × 2700), 60 fps at 5K 2.4:1 (5120 × 2160) 120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728) 150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296) 240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864) |
| PLAYBACK FRAME RATES (PROJECT TIMEBASE) |
23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions |
| REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:11 |
4:1 REDCODE for 5K Full Format (5120 × 2700) at 24 fps 7:1 REDCODE for 5K Full Format (5120 × 2700) at 50 fps 3:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps 6:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps |
| REDCODE RAW ACQUISITION FORMATS2 |
5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x 2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x |
| APPLE PRORES | ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 60 fps |
| AVID CODECS3 | DNxHR SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 60 fps |
| TYPICAL MAX RECORDING TIME USING RED MINI–MAG 120GB5 |
5K Full Format (5120 × 2700) at 24 fps and 11:1 REDCODE: 41 minutes 5K Full Format (5120 × 2700) at 48 fps and 14:1 REDCODE: 26 minutes 4.5K 2.4:1 (4608 × 1944) at 120 fps and 15:1 REDCODE: 17 minutes |
| CONSTRUCTION | Aluminum Alloy |
| WEIGHT | 3.5 lbs (BRAIN with Integrated Media Bay) |
| OPERATING TEMPERATURE | 0°C to 40°C (32°F to 104°F) |
| STORAGE TEMPERATURE | –20°C to 50°C (–4°F to 122°F) |
| RELATIVE HUMIDITY | 0% to 85% non-condensing |
| COLOR MANAGEMENT | Supports 17×17×17 3D LUTs Variable number of 3D LUT outputs with DSMC2 expander module User programmable shaper 1D LUTs Tetrahedral interpolation, 16-bit processing |
| AUDIO | Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz |
| REMOTE CONTROL | Integrated R.C.P. WiFi antenna Ethernet, RS232, and GPI Trigger with DSMC2 expander module |
| MONITOR OUTPUTS | 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module 1080p RGB or 4:2:2, 720p RGB or 4:2:2 480p RGB or 4:2:2 (HDMI Only) SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio |
| MONITOR OPTIONS | DSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, REDTouch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF(OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable. |
| REDCINE-X PRO DELIVERY FORMATS |
4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin) 1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF 1080p 4:2:0, 720p 4:2:0 : H.264, .MP4 |
| VIDEO EDITING SOFTWARE COMPATIBILITY4 |
Adobe Premiere Pro, Avid Media Composer, DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro |
